Made by Diskmakers. Comes in a 6-panel digipak with 12-page artwork booklet with lyrics and other information.
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about
I often go swimming both for its physical benefits as exercise, but also as a type of meditation. Plugging ones ears and submerging one's head beneath the water, one feels a stillness and pressure that becomes soothing and calming.
In the summer of 1998 I traveled to Scotland where I swam in Loch Ness submerging myself beneath the unimaginably cold and dark waters of the ancient lake. The remember the experience now as quite healing and as facilitating a deeper connection to myself and my own archetypal understanding of my own psychological and emotional condition.
Duane did a particularly brilliant job with this track with organizing and orchestrating a sonic backdrop using various percussive elements. It was challenging yet very enjoyable to attempt to assemble this in some type of sonic tapestry that works aesthetically while under scoring the meaning of the lyrics--MAM
This is a high point on the record for me, I really enjoyed adding layer upon layer of percussion. The metric changes along the way help keep things interesting.--dh
lyrics
Part 2
Depression enables empathy, but I can't escape this dark enclosure
of my isolation, my hesitation, let it go
The air outside my lungs no one, no one here is even breathing
It all made sense just for a day, just for one day
Time to go, too lucky to forget to be forgotten
Time to go, I'm lucky to forget to and be forgotten
Knowing nothing was news in my world
The sound of the pressure resting above my head
With the ringing in my ears don't let this chance go by
No upset for the loosing kind,
and in old ways and old dreams many died in daily trenches
Time to go, too lucky to forget to and be forgotten
Time to go, too lucky to forget to and be forgotten
Knowing nothing was news in my world
I would have liked to see things differently
So many stumblings failings multiplied never lived in this moment pinned with guilt
I would have liked to see things differently
So many stumblings failings multiplied never lived in this moment pinned with guilt
Time to go, too lucky to forget to and be forgotten
Time to go, too lucky to forget to and be forgotten
Knowing nothing was news in my world
Knowing nothing was news in my world
Knowing nothing, Knowing all, Knowing nothing take the fall
Knowing nothing, Knowing all, Play the part and take it all
Knowing nothing, Knowing all, Take the pain and fake it all
credits
from LOST,
released November 1, 2021
Michael Allen Moore guitars/keyboards, background vocals
Danny Grimm vocals
Duane Harvey drums, finger cymbals, talking drum, mbira, triangle, tambourine, rain sticks, bamboo chimes, temple block, shaker, caxixi
Andrew Harvey bass guitar
Produced and engineer by Michael Allen Moore
Assisted by Duane Harvey
Music & Lyrics By Michael Allen Moore
And Belling the Tiger
Every track shows the tremendous talents of all four members. What makes this album so good to me is each song has its own groove and the songs are the kind that make you want to sing along. This album for me is the modern day AC/DC "Back in Black or Guns n Roses Appetite for Destruction. An instant classic. You guys Rock!!! axeslinger2
This song keeps me excited till the final sing-a-along part ... ... what a great song (ok, the rest of the show is as good as the start, but I had to name a favorite ... ... but could also have been Nostalgia or the Butterfly Effect or ...)
Michael Kunkel
The sibling in spirit to Zopp's Dominion, at least from my point of view: It, too, has been on the wishlist far too long and I'm more than glad that I finally bought this. And also a cornucopia of good things prog, past and present!
Strictly musically speaking this is a little harder hitting affair than Dominion, though. Carsten Pieper
A simply beautiful release, harkening back to the mid 60s and early 70s. The delicate vocals of Paul Langer, who also plays guitars, bass, and drums and John Allday’s keyboards, trumpet and additional vocals are blended with violin, viola and cello. The music is light as gossamer, with orchestral touches from the strings, and angelic choirs evoking the poetry and vastness of space. Hard to choose a favourite between the first and the epic last tracks, but going with the opener here. Nickie Harte Kelly